"I suggest that you get a clear go ahead from your wife before you go for her genitals again after orgasming. Kind of like the non-verbal communication you might have with another driver at a four-way stop. An over-stimulated clit or g-spot is just not going to fire and is going to hurt."
I hear you and agree. So far, the non-verbal communication as to when I should touch genitalia has been me caressing her inner thighs with the occasional "swipe" at the nether regions. If the swipes seem to provoke a positive response (she gets really wiggly when she is happy about contact) I go for it. Of course, she has also grabbed my hand and shoved it down there a time or two as well. I guess that is a green light also.
"Another trick would be to go for indirect stimulation. This is something I love. Apply pressure downward on the pudendum rather than directly on the clit or use your tongue through some silk rather than directly on the skin or hump on top of some denim. The thicker the barrier, the more aggressively the pressure can be applied and this results in sort of a different tone to the orgasm. For instance, non-stop tongue directly to the clit would be a very high pitched orgasm whereas dry-humping through leather would be a very low pitch. Actually having something sizable inserted in the vagina while orgasming further lowers the tone but also adds much more muscular involvement which changes the whole vibration. If you can figure out how to hit many different erogenous zones at the same time while your wife is orgasming then you will be a sexual one man band"
THANKS!!!! Just what I was looking for. I like the use of the word pitch/tone, etc. So far the maximum I can handle is a quartet ... thumb on clit, middle finger on G-spot, tongue/lips on one nipple, fingers on other. With the occasional french kiss or neck bite thrown in for good measure. I wonder if it would also feel good if the other fingers massaged the labia. I guess I'll have to test it.
Chrome
"Recollect me darlin, raise me to your lips, two undernourished egos, four rotating hips"