How about when her H comes home, he finds his stuff packed at the front door with a recorder on top with the note "Play Me" on it. Then it would play the sex part.
This way pass isn't pulled into a R talk and it centers around the A only.
I don't see the point. Putting his bags at the front door just gives passenger's H a good reason to say that passenger ended it and kicked him out- ergo, relieving him of the bad guy label coz 'she made the decision',. Also, why give her H the recording? He knows she knows what's going on - I am convinced of it. I am convinced he doesn't care. He is laying the groundwork for the M to fail and it to look like it is passenger's fault. If she is going to use that intel it has to go way beyond her H. I think your first idea of playing it to OW's H was the best one IF exposure is still a route passenger wants to pursue.
I am just not convinced it IS a path passenger wants to follow, and to pressure her to do something she doesn't feel comfortable with, or ready to do, would just be plain wrong; it is she that has to live with the consequences.
The way passenger swings back and forth shows that she really has no idea of which direction she wants to take. She needs more time and that is her perogative.
Saffie me 46 H 46 M in 1986 D20,D18,S16,D13 H's A 01/05 to 07/06 H recommitted to M 07/06 renewed vows 09/06 Going from strength to strength